Style and Abstraction in Portrait Sketching
We use a data-driven approach to study both style and abstraction in sketching of a human face. We gather and analyze data from a number of artists as they sketch a human face from a reference photograph.
July 21, 2013
ACM SIGGRAPH 2013
Authors
Itamar Berger (Disney Research/The Interdisciplinary Center Herzliya)
Ariel Shamir (Disney Research/The Interdisciplinary Center Herzliya)
Moshe Mahler (Disney Research)
Elizabeth Carter (Disney Research/Carnegie Mellon University)
Jessica Hodgins (Disney Research/Carnegie Mellon University)
Style and Abstraction in Portrait Sketching
Style and Abstraction in Portrait Sketching-Image We use a data-driven approach to study both style and abstraction in sketching of a human face. We gather and analyze data from a number of artists as they sketch a human face from a reference photograph. To achieve different levels of abstraction in the sketches, decreasing time limits were imposed from four and a half minutes to fifteen seconds. We analyzed the data at two levels: strokes and geometric shape. In each, we create a model that captures both the style of the different artists and the process of abstraction. These models are then used for a portrait sketch synthesis application. Starting from a novel face photograph, we can synthesize a sketch in the various artistic styles and in different levels of abstraction.
