Advanced Tools and Framework for Historical Film Restoration
We revisit some key steps of this workflow and propose semiautomatic methods for performing them.
January 13, 2017
Journal of Electronic Imaging 2017
Authors
Simone Croci (Disney Research)
Tunc Aydin (Disney Research)
Nikolce Stefanoski (uniqFEED AG)
Markus Gross (Disney Research/ETH Zurich)
Aljosa Smolic (Trinity College Dublin)
Advanced Tools and Framework for Historical Film Restoration
Digital restoration of film content that has historical value is crucial for the preservation of cultural heritage. Also, digital restoration is not only a relevant application area of various video processing technologies that have been developed in computer graphics literature, but also involves a multitude of unresolved research challenges. Currently, the digital restoration workflow is highly labor intensive and often heavily relies on expert knowledge. In this paper, we revisit some key steps of this workflow and propose novel, semi-automatic methods for performing them. To do that we build upon state-of-the-art video processing techniques by adding the components necessary for enabling (i) restoration of chemically degraded colors of the film stock, (ii) removal of excessive film grain through spatiotemporal filtering, and (iii) contrast recovery by transferring contrast from the negative film stock to the positive. We show that, when applied individually our tools produce compelling results, and when applied in concert significantly improves the degraded input content. Building on a conceptual framework of film restoration ensures best possible combination of tools and use of available materials.